A little interlude before we head back to Charleston. In fact, this sort of sets up that post, trying to look at Southern Gardening from a different historical background and responding to a very serious question/accusation that I received e-mailed to me about recent posts on the South:
Q: Surely you are aware of the intense racism and inhumanity that plagues your beloved Southern "culture", polite gardens or architecture or otherwise? The South is an embarrassment on this country and you are exposing some personal racist tendencies toward history here.
The South has amazing agricultural and gardening potential. The lowcountry affords a long growing season which can account for the vast majority of the year, while the backcountry offers moderation in the region's otherwise blistering summer sun and enough winter chill to permit northern delights to slip in the scenery. Naturally speaking, there is so much of everything right in soil, sun, and moisture that nature can run rampant here given the chance to. This can result in seemingly unstoppable plagues of kudzu, but it can also result in an incredibly potent power behind natural reclamation.
American Voyages has thus far taken us on a tour of the landscapes of the South and the sentiment they have held for the region's inhabitants, both first and second born. In some cases, the flora and fauna are beloved and considered quintessential to understanding the character of the culture which has developed here. In others, such as with the many pines of the region, the backdrop has been simply wallpaper and, at best, a bonus feature. Here, as in so many other places, exotic species often have taken center stage in the hearts and minds of those controlling the landscape. And why not? Especially in an age where so many pleasures are deemed to come best from artificial sources, reveling in biological beauty and charm is hardly something to be looked down upon, exotic or native model notwithstanding. If I lived in the South, I would surely experiment would any number of palms, broadleaved evergreens, azaleas, amaryllis, hardy citrus, etc. The attraction is hardly a new one, either. Compared to the continental winters experienced in New England and as far south as Philadelphia, the Virginians and Carolinians found that when they had acquired enough security and basic economic vitality, they could start living dreams perhaps even out of the reach of their rank back in England.
Of course, some of these dreamers did so at the expense of their fellow, enslaved, human persons, but there were also those who did not. The ordinary Virginians and Carolinians, and certainly almost all of the Georgians found that while they might not have had the same amount of leisure time to devote to gardening as their richer social masters, gardens here could sometimes take off on their own with just a little bit of prodding. Grand, cultivated estates of said social masters were concerned with mimicking the fancy Stuart-era estates back in England, complete with more boxwood hedge than is healthy, but these estates do not live on in modern gardens the way that the organic development of the common man's garden would. As for the ranks of slaves which made the great estate grounds possible, they too would leave an indelible mark on gardens and agriculture, often in the work of very famous individuals like George Washington Carver. Carver, in fact, was my first real exposure to Black anything. Yes, there are Black Canadians, and in fact we even have national historic sites dedicated to Black Canadians over yonder, but I did not grow up in any particular part of Ontario where I came across a Black person short of seeing a film clip of Martin Luther King Jr. marching across the bridge at Selma.
When I was 12 we moved to southeastern Michigan, but perhaps in preparation to understand my new surroundings, my parents took me to the Henry Ford Museum and associated Greenfield Village. At the time, there was an extensive exhibit on the work of Carver, along with a very excellent actor portraying the man in the next best thing to his flesh and blood presence. Together with some of the people also on the tour, who happened to have dark skin, I saw my first Black people, and my impression was that they were pretty amazing with plants. Since that time I have come to learn that no small portion of the agricultural prowess of this nation is in part to the work of men and women like Carver, and many of them, White or Black or whatever, have brought us to where we are today. In spite of poverty, slavery, and denial to expensive formal education, these people, many from the "horrid, racist South" delivered to the rest of us from their situations complete gems.
That said, gardening and agricultural history is still an unfurling topic of discovery for me. Perhaps I should have become an ethno-botanist instead of the direct variety, but I find myself hungry as heck for an area of ethno-botany that does not get a lot of press these days, that of the common people of the South. Yes, there are giant confederate flags painted on top of gas stations near airports in Atlanta and Memphis. Yes, there are people who think that the world revolves around their little patch of free, white Alabama. Guess what? Those types also live in Michigan, Pennsylvania, and even (gasp) Southern California. We ought never to throw out the blessings of an entire region because of a few dull stars out there in the human firmament. In the meantime, I'm going to remain interested in Southerners like Elvis Presley and Jackie Robinson who helped to kick the crap out of the underlying racism in this country. I'm going to remain curious about settlement patterns of Mississippi and Alabama by ordinary settlers not intent on setting up huge plantations or killing any Creek or Chocktaw in sight. Finally, to quote Janisse Ray, I'm definitely going to be interested in gardens with subtropical elements and growing seasons that I absolutely drool in envy over.
The South, you see, was saved not by some post-bellum Yankee restoration plan or home-grown politician trying to reclaim a ridiculous sense of false inheritance, but by the White, Black, or Native person next door.
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